Chatting To Silver Clay Tutor Emma Roy From Silver Clay Academy

We’re thrilled to introduce Emma Roy, accredited Silver Clay Diploma tutor and founder of the Silver Clay Academy, in this exclusive interview! Emma shares her journey, top tips, and why she’s so passionate about silver clay jewellery making, just in time for the launch of our brand new 6 Months of Silver Clay series!

Get inspired, get ready, and get making - our FREE silver clay tutorials are launching soon, and you won’t want to miss a single project!

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"I love the flexibility that metal clay can bring, with so many different techniques and forms from lump clay to syringe, paper and paste."

Hi Emma, can you tell us a bit about yourself and how you got into metal clay jewellery making?

I've always had a passion for creativity, but it was after the birth of our daughter eight years ago that I discovered metal clay jewellery making. I wanted to change careers since I had spent years in childcare and then retrained in digital marketing. I knew I didn’t want to return to childcare and sought something enjoyable and flexible for my family life. Having made beaded and stamped jewellery and used pre-made components as a hobby for years, I wanted to expand my skills. I enrolled in a keepsake jewellery-making course, where I uncovered the magic of silver clay and knew I wanted to delve deeper into this amazing material. I participated in as many online classes as I could find and eventually completed my Art Clay Diploma Levels 1 and 2, followed by the Higher Diploma.

I initially launched a keepsake jewellery business, but my desire for creative freedom led me to shift from keepsake items to designing my own collections. Thus, Jewellery by Emma Roy was born. I created my own website and began selling my nature-inspired jewellery both online and at events, including the esteemed Country Living market at Alexandria Place.

How did Silver Clay Academy come about, and what’s your mission with it?

Upon receiving my Art Clay Diplomas, I discovered my desire to share my enthusiasm with others. This inspiration prompted me to launch the Silver Clay Academy, where I teach silver clay courses, classes, workshops, and parties, I also offer the Art Clay Diploma Levels 1 &2 in person in my studio in the beautiful Berkshire countryside. I believe that everyone has the potential to create beautiful, meaningful pieces, and my goal is to provide them with the tools and confidence they need to express their unique artistic voice.

At the academy, we foster a nurturing environment where creativity can flourish. Whether students are absolute beginners or more experienced artists, there’s something for everyone. We explore various techniques, from basic silver clay handling and firing to advanced design and finishing methods.

What do you love most about working with metal clay compared to traditional jewellery-making techniques?

I love that it is a recycled product, and the flexibility that metal clay can bring, with so many different techniques and forms from lump clay to syringe, paper and paste. One of my absolute favourite techniques to use with lump clay is carving and all of the fine details that can be achieved. I also love that with lump clay if things don't go quite to plan before drying you can scrunch it up and try again.

"One of the common errors is not allowing enough drying time, it is essential that pieces are completely dry before firing"

What are some common mistakes beginners make when working with metal clay?

Some common mistakes beginners make with metal clay include not using a release agent, such as Badger balm, cool slip or even Olive Oil. If you don’t use enough the clay can stick to textures, rollers, or cutters. But be mindful not to use too much as too much can contaminate the clay and affect the binder.
Another common error is not allowing enough drying time, it is essential pieces are completely dry before firing.
Additionally, many new artists might overlook the importance of firing temperature and time. Each type of metal clay has specific firing guidelines that must be followed to achieve optimal strength and finish. It's important to refer to the manufacturer's instructions to avoid under-firing or over-firing. Finally, a lack of patience during the finishing process can affect the quality of the final product. Proper sanding, polishing, and finishing techniques are essential to bring out the beauty and shine of the metal clay. Taking the time to refine these details can make a significant difference in the overall appearance of the piece.

Do you have a favourite technique or tool that you always use?

I love to use lots of texture in my work, especially natural and organic textures. My favourite tool is my agate burnisher, I use this to get a really good shine on high spots on my designs.

What’s your top tip for getting a smooth, professional finish on metal clay jewellery?

The most important stage is refining, if you spend a little more time refining in the dry stage before firing it really helps get a professional finish after firing. I love the 3m polishing papers that come in the Silver Clay Kit from Kernowcraft, I recommend cutting them in to smaller sections and work through the grits on dry unfired clay. And again, after firing. Any little marks or lines in the greenware stage (dry not fired) can also be worked out with a little piece of foam healing tool and a drop of water, blend.

Can you share a game-changing trick that makes working with metal clay easier?

Be prepared make sure you have everything you need laid out before opening the clay. Do not handle the clay too much and keep the clay from drying out by making sure it is wrapped up in clingfilm and kept in a little pot with a damp sponge when not in use. Also, when refining use a soft dry brush (I like to use a make-up brush) to remove the excess dust.

What’s one technique you think more people should try?

There are so many fantastic techniques, so try all of them! But torch firing certainly makes it such an accessible way to make beautiful jewellery in your own home.

"Forge your own journey. Remember, comparison is the thief of joy."

Where do you find inspiration for your jewellery designs?

Nature is one of my greatest muses. Its intricate patterns, textures, and colours never cease to amaze me. From the delicate veins of a leaf to the shimmering surface of a river and the vibrant hues of a sunset, the natural world offers endless inspiration. I often take walks in woods near the studio and loving spending time near the ocean, sketching or photographing elements that catch my eye to inspire and translate into my jewellery.

How do you approach designing a new piece - do you sketch it out first, or just experiment?

I do like to sketch out my ideas first, but quite often as I am creating, I will experiment or develop the design as I go - especially if it’s quite intricate or detailed I do have a habit of adding more and more details.

Do you have a favourite piece you’ve ever made? What makes it special?

I am currently working on a very exciting and very detailed piece that I think it may be my favourite piece so far, it is inspired by nature, it has lots of hand carved and sculpted elements and even kinetic and removable elements and gorgeous Amethyst beads. As it will hopefully be for a competition so I can't say any more than that at the moment!

What’s your best advice for someone looking to turn their metal clay jewellery into a business?

Forge your own journey. Many of my students create their own jewellery, and a common theme that arises is how often artists compare themselves to others. Remember, comparison is the thief of joy.

Are there any exciting trends in metal clay jewellery you’re loving right now?

I am seeing more statement pieces coming through and love all the heavily detailed elements - more is certainly more! I am also seeing more ocean inspired pieces which I absolutely love.

What do you enjoy most about teaching jewellery-making?

Seeing the joy and satisfaction on my students' faces when they complete their first piece is incredibly rewarding. It's a reminder that jewellery making is not just an art form but also a way to connect with others and share a part of oneself. Each piece tells a story, and I'm honoured to be part of their creative journey, helping them bring their visions to life and supporting them on their silver clay journey.

Can you give us a sneak peek of what we can expect from your tutorial series?

The tutorials are great for both beginners and experienced crafters, providing step-by-step guidance to create beautiful silver clay pieces at home. All can be you need is a simple butane torch, making it accessible for everyone. You'll learn about essential tools and safety tips for torch firing silver clay. The tutorial covers basic techniques like rolling and cutting, as well as advanced methods such as creating bezels and setting stones.

With tips to enhance your designs and clear instructions, you'll gain confidence to explore your creativity in silver clay jewellery making. Whether for gifts or personal collection, the tutorials will help you bring your ideas to life. Grab your tools, ignite your torch, and let the magic of silver clay inspire you!

What’s one thing you hope viewers will take away from your tutorials?

I want them to feel empowered to explore their creativity and realise that anyone can create beautiful pieces with a little guidance and practice. Silver clay is such a versatile material, and it allows for endless possibilities. I hope viewers will see that making jewellery can be both fun and fulfilling, and that they have the potential to create something truly unique and personal. Most importantly, I want them to know that mistakes are just part of the learning process and can lead to unexpected and delightful results.

"Whether it's a quiet afternoon in a cosy nook or an adventurous hike through the countryside, these experiences enrich both my personal life and my artistic journey."

When you’re not making jewellery, how do you like to unwind?

I love to be in the great outdoors. Walking my cavapoo, Max and spending time with my family. I also love nature photography, painting and sketching. It’s important for me to balance my creative work with activities that allow me to relax and recharge. I find that these moments of leisure often spark new ideas and provide fresh perspectives that I can bring back into my jewellery designs. Whether it's a quiet afternoon in a cosy nook or an adventurous hike through the countryside, these experiences enrich both my personal life and my artistic journey.

What’s one thing people might be surprised to learn about you?

People might be surprised to learn that I love cowboy boots and have an impressive collection. This unexpected passion complements my work in jewellery design, adding a unique flair to my style. The bold charm of cowboy boots inspires my creativity, with their intricate stitching and rich textures resonating with my artistic and wild spirit.

If you could design a piece of jewellery for anyone in the world, who would it be and why?

Oh gosh that’s a hard one, but I would choose to design a piece of jewellery for Dr. Jane Goodall. A piece dedicated to her would embody the beauty and resilience of nature, perhaps incorporating elements like leaves or vines crafted in silver clay, symbolising growth, and connection. It would serve as a tribute to her incredible contributions to our understanding of the natural world and her unwavering commitment to environmental stewardship.

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